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Classic iMonk Post
by Michael Spencer
Circa 2002
NOTE FROM CM: For the next three Saturdays, we will run Michael Spencer’s classic posts from 2002 on “Worship, CCM and The Worship Music Revolution.”
The evangelical church in particular has continued to travel down the road Michael describes in this article. Nearly a decade has passed, and now congregations are filled with people who have little or no memory of the traditional practices that Michael speaks of in this essay. Thousands of churches have been planted with contemporary praise and worship music placed front and center as the main attraction for seekers and the primary component of worship for the Body. Evangelicals continue to speak of “worship” as if the word only means “feeling a sense of ecstasy through being caught up in praise music.” The “worship set” is the primary sacrament of contemporary evangelicalism, the only one in which they acknowledge the real presence and activity of Christ.
With Michael, I lament this state of affairs.
WHAT I SAW AT THE REVOLUTION
Trading a heritage of Worship Music for a lukewarm bowl of CCM
Not too many months ago, I had the opportunity to lead my “congregation” of high school students in a chapel service of worship music. Realizing that they had learned many new songs in the past few months, I purposely selected songs that were popular with these students two and three years ago. After leading the service, a student came up to me and said something I have never forgotten. “I sure like the old songs, Mr. Spencer.”
Such is the frantic pace of change in contemporary worship music, that “As the Deer” is now one of the “old” songs. Seniors in high school and their grandparents have this in common: they both love the old songs, songs that are rapidly being replaced..
The revolution in worship music that is now tearing up thousands of evangelical churches and rousing generational civil war in many evangelical families has been brewing for some time. The first identifiable “praise choruses” were appearing in the fifties, and the musical revolution of the sixties, largely confined to “youth services,” musicals and “coffeehouses,” never seemed to disturb churches to the extent we are seeing today. In the Jerry Falwell-style Southern Baptist church of my teenage years, drums and contemporary music were welcome in youth services and occasional choir performances, probably because no one ever thought of turning these occasional forays into pop culture into the regular Sunday morning service. Long haired kids in sandals, filling up the front pews on Sunday night, made the church look evangelistic, but we kept our music to ourselves. It was the age of “Jesus People,” and any church would bend over to have a few more young people in the services, but no one was inviting us to bring the band into the choir loft.
Continue reading “iMonk Classic: Worship, CCM and the Worship Music Revolution (part one)”










